A succubus is a demon or supernatural entity in folklore, in female form, that appears in dreams to seduce men, usually through sexual activity. According to religious tradition, a succubus needs semen to survive; repeated sexual activity with a succubus will result in a bond being formed between the succubus and the man; and a succubus cannot drain or harm the man with whom she is having intercourse. In modern representations, a succubus is often depicted as a beautiful seductress or enchantress, rather than as demonic or frightening. The male counterpart to the succubus is the incubus.
sex by snake a beautiful leady
The term derives from Late Latin succubacode: lat promoted to code: la "paramour" from succubarecode: lat promoted to code: la "to lie beneath" (subcode: lat promoted to code: la - "under" and cubarecode: lat promoted to code: la "to lie"),[1] used to describe this female supernatural being's implied sexual position relative to the male sleeper's position. The English word "succubus" dates from the late 14th century. The succubus is also known as the earth wanderer, and she seeks her victims by disguising herself as a young beautiful woman, seducing men.[2][3]
As depicted in the Jewish mystical treatise Zohar and the medieval Jewish satirical text Alphabet of Ben Sira, Lilith was Adam's first wife, who later became a succubus.[4][5] She left Adam and refused to return to the Garden of Eden after she mated with the archangel Samael.[5] In Zoharistic Kabbalah, there were four succubi who mated with the archangel Samael. The four original queens of the demons were Lilith, Eisheth Zenunim, Agrat bat Mahlat, and Naamah.[6] A succubus may take a form of a beautiful young girl, but closer inspection may reveal deformities of her body, such as bird-like claws or serpentine tails.[7] Folklore also describes the act of cunnilingus on their vulvas, which drip with urine and other fluids.[8] In later folklore, a succubus took the form of a siren.
To date, many African myths claim[citation needed] that men who have similar experience with such principality (succubus) in dreams (usually in the form of a beautiful woman) find themselves exhausted as soon as they awaken, often claiming spiritual attack upon them. Local rituals/divination are often invoked to appeal to god for divine protection and intervention.
The story depicts a white snake, which was practicing Taoist magical arts and finally became an immortal, who can take human form after centuries of training and cultivation. She transforms into a beautiful woman Bai Suzhen while another green snake transforms into a young lady Xiaoqing after 500 years of training. They travel to Hangzhou and meet Xu Xian at the Broken Bridge, and Xu lends them his umbrella because it is raining. Xu Xian and Bai Suzhen gradually fall in love with each other and are eventually married. They move to Zhenjiang and open a medicine shop near the West Lake.
But Fahai, a Buddhist monk in Jinshan Temple, thinks Bai was a snake spirit and will be a scourge of human beings. He approaches Xu Xian and plots to break up his relationship with Bai. He tells Xu that his wife was a snake and lets him know how to make her to reveal true form. Although Xu takes it with a pinch of salt, he let his wife drink wine (雄黃酒) during the Duanwu Festival. Bai Suzhen unsuspectingly reveals her true form as a large white snake after drinking the wine and Xu Xian dies of shock after seeing that his wife is not human. Bai Suzhen and Xiaoqing travel to Mount Kunlun, where they brave danger to steal a magical herb that restores Xu Xian to life. After coming back to life, Xu Xian still maintains his love for Bai Suzhen despite knowing her true identity. Fahai is so angry and he captures Xu Xian and imprisons him to be a monk in Jinshan Temple. Bai Suzhen and Xiaoqing fight with Fahai to rescue Xu Xian, and Bai uses her powers to flood the temple, drowning many innocent people in the process. However, Bai Suzhen's powers are limited because she is already pregnant with Xu Xian's child so she fails to save her husband, escaping under Xiaoqing's help. Xu Xian later manages to escape from Jinshan Temple and reunites with Bai and Xiaoqing at the Broken Bridge. Fahai tracks them down, as soon as Bai Suzhen gave birth to their son; he defeats Bai Suzhen and imprisons her in Leifeng Pagoda, saying Bai Suzhen could never leave only when the Leifeng Pagoda collapsed and the West Lake dried up.
There is a beautiful girl whose father is a renowned winemaker in the northern party of South China's Gunagdong province. Unluckily, she suffered from Leprosy when she was 18. Leprosy was incurable and only through marriage, inflecting the disease to her husband, can the girl survive in superstition. She is a good girl and does not want to hurt anybody. On her wedding night, she drinks too much wine and surprisingly wakes up recovered from leprosy. Is the wine magic? Not the wine, but a drowned viper in the wine jar?
PSYCHE (Psuchê), that is, "breath" or "the soul," occurs in the later times of antiquity, as a personification of the human soul, and Apuleius (Met. iv. 28, &c.) relates about her the following beautiful allegoric story. Psyche was the youngest of the three daughters of some king, and excited by her beauty the jealousy and envy of Venus. In order to avenge herself, the goddess ordered Amor to inspire Psyche with a love for the most contemptible of all men : but Amor was so stricken with her beauty that he himself fell in love with her. He accordingly conveyed her to some charming place, where he, unseen and unknown, visited her every night, and left her as soon as the day began to dawn. Psyche might have continued to have enjoyed without interruption this state of happiness, if she had attended to the advice of her beloved, never to give way to her curiosity, or to inquire who he was. But her jealous sisters made her believe that in the darkness of night she was embracing some hideous monster, and accordingly once, while Amor was asleep, she approached him with a lamp, and, to her amazement, she beheld the most handsome and lovely of the gods. In her excitement of joy and fear, a drop of hot oil fell from her lamp upon his shoulder. This awoke Amor, who censured her for her mistrust, and escaped. Psyche's peace was now gone all at once, and after having attempted in vain to throw herself into a river, she wandered about from temple to temple, inquiring after her beloved, and at length came to the palace of Venus. There her real sufferings began, for Venus retained her, treated her as a slave, and inmposed upon her the hardest and most humiliating labours. Psyche would have perished under the weight of her sufferings, had not Amor, who still loved her in secret, invisibly comforted and assisted her in her labours. With his aid she at last succeeded in overcoming the jealousy and hatred of Venus; she became immortal, and was united with him for ever. It is not difficult to recognise in this lovely story the idea of which it is merely the mythical embodiment, for Psyche is evidently the human soul, which is purified by passions and misfortunes, and is thus prepared for the enjoyment of true and pure happiness. In works of art Psyche is represented as a maiden with the wings of a butterfly, along with Amor in the different situations described in the allegoric story.
Although not the most intimidating title, Sazae Oni are turban snails that haunt the seven seas, often taking the form of beautiful women to lure seamen into trouble. The shapeshifters pretend to be drowning, and turn on their rescuers once they are 'saved'. Sometimes the Sazae Oni can appear to innkeepers or children by a river. There is one legend of a Sazae Oni who was "rescued" by pirates, who did not recognize her as a demon. After the pirates raped her that night, she bit off each of their testicles one by one, demanding gold for their "kintama" or "golden balls".
One of the reoccurring elements in Japanese mythology is the concept of shapeshifters, of demons that appear to be women but are either only half women, or use a young and beautiful girl as a façade for something far more sinister. Stories of Kijo are ingrained in Japanese culture. These are the most evil of spirits, or Yōkai, because their sole purpose is to cause harm to humans.
Meanwhile, Mulciber had consumed whatever the flames could destroy, and no recognisable form of Hercules remained, no semblance of what came to him from his mother: he only retained his inheritance from Jove. As a snake enjoys its newness, sloughing old age with its skin, gleaming with fresh scales; so, when the Tirynthian hero had shed his mortal body, he became his better part, beginning to appear greater, and more to be revered, in his high majesty. The all-powerful father of the gods carrying him upwards, in his four-horse chariot, through the substanceless clouds, set him among the shining stars.
When the pains grew, and her burden pushed its own way into the world, and a girl was born, the mother ordered it to be reared, deceitfully, as a boy, without the father realising. She had all that she needed, and no one but the nurse knew of the fraud. The father made good his vows, and gave it the name of the grandfather: he was Iphis. The mother was delighted with the name, since it was appropriate for either gender, and no one was cheated by it. From that moment, the deception, begun with a sacred lie, went undetected. The child was dressed as a boy, and its features would have been beautiful whether they were given to a girl or a boy.
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